Documentary

Reviewer: Philip Tatler IV
Rating (out of five): *** 1/2

With Tabloid, Errol Morris turns his camera on the lurid life story of Joyce McKinney, a fetching young lady from a small town in North Carolina whose love for a Mormon man resulted in several bizarre international incidents. Before the decade-spanning story is over, McKinney finds herself mixed up in alleged kidnapping, aberrant sexual practices, a Christlike canine, ugly undergarments, and even cloning.

Blog entry 12/13/2011 - 4:57pm

Reviewer: Jeffrey M Anderson
Rating (out of five): ***

If you're a certain kind of film fan, there's nothing quite like a good clip show. It's so easy to please these fans just by showing scenes from favorite movies. These viewers never fail to "ooh" and "ahh" if you can surprise them with a good clip.

Angela Ismailos' debut documentary Great Directors has plenty of them, and it's a generally happy experience. It's very satisfying to hear favorite directors like David Lynch and Richard Linklater talking about how they dealt with their flops Dune and The Newton Boys. It's lovely to listen to dear, sweet Agnes Varda talking about herself, and it's even interesting to hear what the aggravating Catherine Breillat had to say.

Blog entry 11/08/2011 - 12:59pm

Reviewer: Philip Tatler IV
Rating (out of five): *** 1/2

Michelangelo Frammartino's La Quattro Volte ("The Four Times") is about a goatherd who dies and is reborn as a goat. The goat briefly frolics before it loses its way in a forest and dies of starvation and exposure to the elements. However, the goat’s essence lives on; its being is assimilated into a tree, which is then cut down and converted into charcoal. The end, spoiler alert, etc.

Volte dares you to process it simply, even though it’s composed of eighty minutes of rather simple, wordless, shots. The plot and actors matter very little and are eclipsed by Frammartino’s impressive formal flexing. Volte is more of an installation piece or a moving monograph.

Blog entry 09/20/2011 - 2:09pm

Reviewer: Philip Tatler IV
Rating (out of five): ****1/2

"How do you get an idea that hits you here," Martin Scorsese asks, jabbing a finger at the center of his forehead, " an image that hits you here, and then translate it through this… this… piece of equipment?"

The piece of equipment Scorsese is referring to, of course, is the movie camera. No one knew better how to translate the thoughts of directors through the unwieldy workings of a camera than Jack Cardiff, the subject of Cameraman.

A fifteen-year labor of love, Craig McCall’s documentary mines the career of Cardiff, the pioneering cinematographer known best for his three collaborations with "The Archers" (Micheal Powell and Emeric Pressburger). Those films – A Matter of Life and Death, Black Narcissus, and The Red Shoes – remain benchmarks of cinematic innovation.

Blog entry 08/23/2011 - 2:13pm

Reviewer: James van Maanen
Rating (out of five): ****

A treasure-trove of fascinating information about media-shy/burned author Harper Lee, her landmark book To Kill a Mockingbird, the fine movie made from it (and much more: even Truman Capote has a major role here), HEY, BOO: Harper Lee and To Kill a Mockingbird should have the billion-odd fans of the book lining up to learn more about it -- and the woman who created it. "Landmark" because it enabled white America, north and south, to begin coming to terms with the country's major social problem, racial prejudice, the book remains a force for understanding and change. Further, it is probably one of the few "modern classics" taught in schools that does not always need to be force-fed.

Blog entry 07/19/2011 - 3:00pm

Reviewer: Craig Phillips
Rating (ouf of 5): *** 

In American: The Bill Hicks Story, British filmmakers Matt Harlock and Paul Thomas set out to tell the tale of the influential comedian who was underappreciated in his time and then taken from us too soon. The Texas-raised Hicks was a remarkable comic who dared tell truths in this country in a time (the 1980s and into the 90s) when a lot of Americans lived in a trance and didn't want to hear them told so bluntly--or at all. The film will probably be more of a revelation to the uninitiated than to longtime fans (such as myself), but fans of the cult comic will also find much to appreciate here.

Blog entry 06/28/2011 - 12:13pm

Thanks to our good friends over at SilverDocs, GreenCine is thrilled to present for the second time, a unique opportunity to win 2 Industry passes to the festival Variety calls "Non-fiction Nirvana"! Industry passes include: 

  • Invitation for one to Opening Night screening and gala (RSVP required)
  • NO TICKETS NEEDED for all regular screenings
  • Access to Conference programs and Festival Lounges
  • Access to sponsored happy hours and regular receptions

The festival takes place Monday, June 20th to Sunday, June 26th in the Washington, DC area.

Now in its ninth year, AFI's Silverdocs will continue screening and debuting the best the documentary world has to offer, with notable docs including The Swell Season, Revenge of the Electric Car, El Bulli: Cooking in Progress, Beats Rhymes & Life: The Travels of a Tribe Called Quest , The Bully Project, The Interrupers, and so much more. This year will also feature a symposium on the work of renowned documentarions Chris Hegedus and D A Pennebaker (check out our interview with them for Kings of Pastry), numerous filmmaker forums,  networking events, and performances. Continue reading for details on how to enter!

Blog entry 06/08/2011 - 3:04pm

Reviewer: Steve Dollar
Rating (out of 5): ****

Always the sun...the torpor...endless day and endless night of salt and sea, eternity of heat, the land without succor, forever beneath the arid stars, the pyramids of salt stacked in the night without end, oh Araya...Araya.

Yes, I'm making some fun at the expense of Jose Ignacio Cabruja's somber narration of Araya. The rediscovered 1959 documentary about a desert archipelago in northeastern Venezuela, whose salt reserves have made it a hot spot for pirates, conquistadors and traders since the 16th century, draws much of its tone from this voice-over. Cabruja didn't write the script, with its hypnotic rhythms and poetic loops of language, but he definitely gives it a grave, grandiose magnetism that sounds practically self-parodic today. Yet it's also one thing that makes the film truly gripping to watch.

Blog entry 05/17/2011 - 1:21pm

Reviewer: Jeffrey M. Anderson
Rating (out of 5): ****

The documentary Henri-Georges Clouzot's Inferno made its U.S. premiere at the 2009 New York Film Festival, made some festival and arthouse rounds in 2010, and finally had a San Francisco opening in 2011. It began, ostensibly, when film archivist Serge Bromberg found himself stuck in an elevator with Henri-Georges Clouzot's widow, and she told him about the late director's ordeal shooting L'Enfer (Inferno, or Hell) in the mid-1960s. The new documentary unveils a great deal of amazing-looking footage for the first time, as well as interviewing some of the surviving players.

Blog entry 05/16/2011 - 12:19pm

Reviewer: Craig Phillips
Rating (out of 5): ****

 

After nearly dying from a vicious attack that left him brain damaged, Mark Hogancamp had to learn to walk, talk and write again—only finding solace in the building of a small-scale WWII European village in his backyard. Named for this fictional, war-torn town, Marwencol is filmmaker Jeff Malmberg's four-year chronicle of Hogancamp's life and project, a film as much about the restoration of a human psyche as it is the story of an intricate art form rising out of tragedy.

Blog entry 04/11/2011 - 4:19pm

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