Documentary

By Jonathan Marlow

Ariannélmer Cipes has worked ceaselessly to preserve the legacy of her father, the great "King of the B's," Edgar G. Ulmer. In April, the San Francisco International Film Festival screened a documentary she produced, Edgar G. Ulmer: The Man Off-Screen. Soon after, Jonathan Marlow spoke with her about its making and her father's continent-hopping, genre-busting, era-bridging career.

Page 06/14/2005 - 12:00am

By David D'Arcy

When The Power of Nightmares was first broadcast on the BBC late last year, it drew record audiences in the UK for a political documentary. The three-part series has since been a hit on the festival circuit in the US and is screening at Cannes this year. David D'Arcy talks to filmmaker Adam Curtis about the doc and about how neoconservative notions of reality are rattling the world.

Page 06/12/2005 - 12:00am

By Hannah Eaves and Jonathan Marlow

The work of Adam Curtis - specifically, two episodes of his Pandora's Box, Goodbye Mrs. Ant and The Brink of Eternity - will be screened this week at the Green Screen Film Festival in San Francisco. As a follow-up to David D'Arcy's interview, focusing on The Power of Nightmares, Hannah Eaves, Jonathan Marlow and Tom Luddy talk to Curtis about his unique approach to storytelling.

Page 05/30/2005 - 12:00am

By Sara Schieron

Blue Vinyl, a surprisingly comical look at "life with the backdrop of industry," goes to the hubs of vinyl manufacturing to show the dangerous effects of the pollutant, and in the process identifies it as a danger to humanity on a larger scale. Co-director Judith Helfand talks with Sara Schieron about the film and its recent impact on environmental activism.

Page 04/04/2005 - 12:00am

By Hannah Eaves

The Take, directed by political activist Avi Lewis and written by No Logo author Naomi Klein, tells the story of Argentinean people taking economic recovery into their own hands. Hannah Eaves talks to Lewis about the extraordinary making of the doc.

Page 02/17/2005 - 1:00am

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