Two time Academy Award winner Michael Caine stars as Harry Brown, an ordinary, law-abiding citizen, who just wanted to quietly live out his retirement. But in this desolate urban wasteland, the residents live in fear of the drug dealers who rule the streets--and the police offers little protection. When Inspector Alice Frampton (Emily Mortimer) can't convict the thugs who killed Harry's best friend, he decides to take the law into his own hands. Using skills honed as a Royal Marine, Harry begins to serve his own brand of justice. David Edelstein says "Caine makes a grave, soulful vigilante avenger, and first-time director Daniel Barber gives the film a dank, streaky, genuinely unnerving palette." Harry Brown is out on DVD August 31st. And now you have a chance to win that DVD thanks to a giveaway sponsored by GreenCine and Sony Pictures Classics.
To enter, email email@example.com and include your name, email address, mailing address, and, if you're a GreenCine member, your username in the email, and "Harry Brown" in the subject header. Entries without all this information will not be considered. (You will not be added to a mailing list!). One winner will be selected at random from all valid entries. You must be a US resident to enter. The deadline to enter is September 15. Winner will be notified by e-mail and announced in future editions of the GreenCine Dispatch newsletter.
* Private messaging to others in the GreenCine community -- and more features coming soon!
* Keep apprised of happenings in the world of films festivals, independent, international, cult, classic, horror movies and more!
* As a free registered member, you can upgrade your account to a rental subscription -- or if you want a rental subscription right away, click here.
Horror auteur Ti West is back with another slow-burning throwback film sustaining the quality of his very successful previous effort, The House of the Devil. Slant writes, "The classic haunted-house story is probably the mustiest in the book, and West sets out to subvert it while also identifying how essential such conventions are to the form. His work has always been heavily referential, but it stands apart presently in the sense that those references are never handled ironically."