Interviews

By David D'Arcy

Courtney Hunt "When I heard that Quentin Tarantino handed the Grand Jury Prize for best feature to Courtney Hunt's Frozen River at this year's Sundance Film Festival, telling the audience that the movie 'put my heart in a vise and proceeded to twist that vise until the last frame,' my jaw went slack," recalls Ella Taylor in the Voice. "But Tarantino was raised by his mom, and if there's one thing this movie gets dead right, it's the desperation of impoverished single mothers trying to fend for their children. And if Frozen River finally gets the terrific actress Melissa Leo her place in the sun to boot, so much the better."

David D'Arcy talks with Hunt about the immigrant smuggling we rarely hear anything about: crossing the US-Canadian border.

Frozen River is now out on DVD so we're representing the interview.

Blog entry 02/10/2009 - 2:31am

By Jeffrey M. Anderson

Bruce Campbell's newest film, My Name Is Bruce, is a mini-masterpiece that fans will no doubt rank near his Evil Dead trilogy and up with Bubba Ho-Tep (2003). It's a kind of post-modern, meta-film, in which Bruce plays "Bruce Campbell," a B-movie star who is called upon to help battle a real-life monster, though he believes he's just putting on a show. As with his best work, it's a combination of sheer enthusiasm for the horror genre, some clever jokes, and some sidesplitting, infectiously stupid jokes. It comes out on DVD this week, complete with the requisite Bruce Campbell commentary track. Jeffrey Anderson had the chance to sit down with Bruce when he was in San Francisco last December, to talk about the film.

Page 02/09/2009 - 11:12am

Courtesy of our friends at FilmCatcher comes this interview with Zooey Deschanel on her lead role in the indie romantic comedy 500 Days of Summer.


 

 

 

Click to watch the flash video Q&A.

Page 01/26/2009 - 2:08pm

In Gus Van Sant's Milk, opening Friday, Josh Brolin plays Harvey Milk's fellow supervisor Dan White, who eventually pulled the trigger and ended Milk's life in 1978. (The real-life White received only a light sentence based on what came to be known as "the Twinkie defense." See the documentary The Times of Harvey Milk for more info.) Brolin's White comes across as a frustrated, underconfident fellow. He only appears in a handful of scenes with Milk, but their attempts to reach one another are almost touching.  Jeffrey Anderson sat in on a roundtable discussion with the film's cast following the premiere, appropriately, at San Francisco's Castro Theater, and caught the typically boisterous, candid Brolin.

Blog entry 11/26/2008 - 12:43pm

(Updated Note: Wray's documentary was not only finished but released and is now out on DVD. We're proud to say we both have the DVD and were following the film since long before it was finished. -- ed. 11/14/08 )

By David Hudson

Tara Wray had been writing stories and editing a literary journal when she decided one story would be best told as a film. Working with co-producer Michel Negroponte and a grant from the Anthony Radziwill Documentary Fund, she's now tackling her troubled relationship with her mother. David Hudson talks to her about Manhattan, Kansas.

Page 11/14/2008 - 3:00pm

bensonleer.jpg By Cathleen Rountree

"Planet B-Boy considers the international resurgence of breakdancing and closely follows five of the most prominent teams from Korea, Japan, France, and the US as they prepare for the annual Battle of the Year (aka the 'World Cup' of b-boying) at its home base in Braunschweig, Germany, which is attended by 10,000 spectators."

Cathleen Rountree talked with director Benson Lee.  The film is now out on DVD.

Blog entry 11/10/2008 - 2:43pm

Charlie Kaufman By Jonathan Marlow [and his id]

"There is little precedent, cinematic or otherwise, for Synecdoche, New York," writes Michael Joshua Rowin in the L Magazine. "Sure, early on in his directorial debut, maestro screenwriter Charlie Kaufman namechecks Kafka to prepare us for the increasingly claustrophobic surrealism that engulfs author-surrogate Caden Cotard (a phenomenal Philip Seymour Hoffman), while the character's psychotic, Borgesian obsession with artistic fidelity to real life is approached with the same matter-of-fact bemusement as Buñuel - this isn't entirely unfamiliar territory, at least to begin with. But as it becomes more and more frustrated in its attempt to reconcile personal entropy with creative perfection, Synecdoche proves that even from the ingenious, hilarious and, clearly, tortured mind of the man who might be this country's greatest current contributor to the art of storytelling, it is like nothing else we've quite seen."

Jonathan Marlow talks with Kaufman about his journey into - and back out of - Synecdoche, New York.

Blog entry 10/22/2008 - 7:18am

Errol MorrisBy Sean Axmaker

"This is a very complex, convoluted story on so many, many different levels," Errol Morris tells Sean Axmaker. "I think it is, in many ways, a story about American women in the military. I think that's one of the things about the photographs that made the photographs particularly strange, particularly appalling, particularly perverse. I've often imagined, when [Charles] Graner was taking those pictures, of his 90-some-odd pound, twenty-year-old girlfriend, holding that leash on that the prisoner known as Gus, he was in some very deep sense reenacting American foreign policy."

Standard Operating Procedure is now out on DVD.

Blog entry 10/13/2008 - 4:29am

By Brian Darr

Lance Hammer

"Lance Hammer began his filmmaking career working with the art department, designing the architecture of Gotham buildings used in Joel Schumacher's Batman films. His feature film debut as a writer and director might be seen as an aesthetic laying down of a gauntlet: art thrives best when developed far from any Hollywood departments. Written, cast, set and shot in a wintery Mississippi Delta locale, Ballast emerged from its premiere at the 2008 Sundance Film Festival with top awards for Hammer's direction and Lol Crawley's cinematography."

Brian Darr introduces his interview with Hammer - they talk about nonprofessional actors, documentaries and some of Hammer's own favorite filmmakers. Ballast is currently playing at New York's Film Forum and opens in selected cities on October 17.

Blog entry 10/06/2008 - 12:14am

By Hannah Eaves

Alex Gibney

"Alex Gibney's Taxi to the Dark Side is the documentary that many of us have prayed for, the one that could break through even to people who relish the torture set pieces on 24 and will hear no evil about the War on Terror," writes David Edelstein in New York. "It's the equal of No End in Sight [which Gibney produced] in its tight focus on the nuts and bolts of incompetence, and it surpasses any recent melodrama in the empathy it evokes for both its victims and - surprisingly - victimizers. More important, it leaves you brooding on the human capacity for cruelty in a way that transcends the gory details."

Here, Hannah Eaves talks with Gibney about his previous work (The Trials of Henry Kissinger, Enron: The Smartest Guys in the Room) and about the ways the US might regain the moral high ground.

Gibney's Gonzo: The Life and Work of Dr. Hunter S. Thompson sees its premiere at this year's Sundance Film Festival.

Taxi to the Dark Side is now out on DVD.

Blog entry 09/30/2008 - 8:55am

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