Guy Maddin Two-fer

underdog's picture

 Twilight of the Ice Nymphs (1997) drifts away from the familiar confines of the archaic film (it's shot in 35mm full colour with a contemporary aspect ratio and nary an intertitle) and into the deep waters of language, and therefore decadence. The dialogues are drawn from the ascetic Knut Hamsun's Pan, then corrupted by dollops of...  Read the rest >>

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