Reviews

 

Reviewer: Philip Tatler
Rating (out of 5): ****

In Elia Kazan's 1963 America, America, now finally out on DVD from Warner Home Video, the idea of the eponymous land of opportunity supplants the actuality. Indeed, America herself only appears in a short cameo at the end of the 167-minute film. The title even subtly suggests duality: "America" vs. America.

In the film's opening narration, Kazan's own voice sets the stage for this very personal epic (the story, based on Kazan's 1962 novel of the same name, is loosely based on the life of Kazan's uncle): it is 1896 in Ottoman-ruled Turkey. Native Armenians and Greeks have been marginalized by their conquerors, with the former group especially stigmatized as a "dangerous minority."

Blog entry 02/14/2011 - 12:46pm

Reviewer: James van Maanen
Rating (out of 5): ***

The unusual tale that François Ozon -- working once again in "slight" mode but with weighty themes -- has chosen to tell in his latest work Hideaway (Le refuge) could easily lead to the kind of scenario found in numerous other films about parenting in modern times. But as this is an Ozon movie, we get something that defies cliche. His film tells of a wealthy and dissolute young man (played by Ozon irregular Melvil Poupaud), his drug-addicted paramour, and his frigid family -- the exception being one sweet and caring brother. The big event happens early on, and the remainder of the movie is taken up with the adjustment to said event by the remaining characters.

Blog entry 02/08/2011 - 10:28am

Reviewer: James van Maanen
Rating (out of 5): ****

The question "What’s the matter with Kansas?" should immediately bring to mind Thomas Frank’s best-seller on the subject. That’s good, since the documentary film of the same name is based on Frank's book. I have read only selections from this book, which uses the state of Kansas to make clear how the Republican Party, in tandem with the evangelical Christian movement, has boondoggled Americans into believing that it today represents the common man. I'll let Frank's own words speak for themselves here:

Blog entry 02/07/2011 - 11:53am

Reviewer:Glenn Heath Jr.
Rating (out of 5):

“The Millennium Trilogy” adapts Stieg Larrson's uber-popular books series into a cinematic war of attrition, a languishing, trite, and plodding trilogy of films so laborious the thriller tropes that should be exciting quickly turn to narrative quicksand. Occasionally harrowing and always slimy, The Girl With The Dragon Tatoo offers promising first shots across the bow, introducing journalist Mikael Blomkvist (Michael Nyqvist) and computer hacker Lisbeth Salander (Noomi Rapace) as an extremely oddly-matched duo investigating a string of serial murders. The Girl Who Played With Fire loses the first film's chilly aesthetic for a more bland television look, digging narrative trenches and expanding the front to include Lisbeth's dangerous familial past. Finally, The Girl Who Kicked the Hornet's Nest prolongs the crummy boob tube craftsmanship while merely repeating the convoluted patterns and devices hammered home in the first two entries. While so much is said and done throughout this bloated train of side tangents and red herrings, absolutely nothing substantive happens.

Blog entry 02/01/2011 - 4:29pm

Reviewer: Jeffrey M. Anderson
Rating (out of 5): ****

Tanya Hamilton makes her feature writing and directing debut with the exceptional character study Night Catches Us; it veers perilously close to message mongering and smugness, but mostly does well to focus on some surprising character traits and fine period detail.

Anthony Mackie plays Marcus Washington, who suddenly returns home to 1976 Philadelphia after some mysterious time away, for his father's funeral. It's a rough-and-tumble time, with the remains of the Black Panther movement still evident in the streets. Marcus tries to fix up the family home in exchange for a place to sleep, but his brother wants nothing to do with him. Instead he ends up staying with an old flame, Patricia Wilson (Kerry Washington), a do-gooder with the habit of taking in stray souls.

Blog entry 02/01/2011 - 1:40pm

Reviewer: James Van Maanen
Rating (out of 5): ***½

Want to know how to tell if your bio-pic is firing on all cylinders? Remove the famous person whose bio it is from the equation. Would the movie work if, instead of being about the celebrity, it were simply the story of Joe Schmo? Would the tale hold you? Would the events on view matter much? Using that criteria, Nowhere Boy, the John Lennon-as-a-teenager movie directed by Sam Taylor Wood and written by Matt Greenhalgh (from the memoir by Julia Baird) rates especially high marks. The fact that it's Lennon's story will of course draw most fans to the film, but they'll stay because the events and characters on screen are presented with strength, intelligence, feeling -- and life. This is one very vivid movie.

Blog entry 02/01/2011 - 12:00pm

Reviewer: Steve Dollar 
Rating (out of 5): *****

Today's news that Dogtooth (perfectly timed with the DVD release) has been nominated for an Academy Award in the best foreign film category is stunning. While it's gratifying to know that one of 2010's most outré critical favorites somehow slipped into what typically is the mushiest of Oscar competitions, it's even more fun to imagine the reactions of more middlebrow Academy voters to this perverse family drama. I expect a whole lot of “what...the...?” reactions.

The second feature from Greek director Giorgos Lanthimosis set in a studiously blank ex-urban home where three children - actually, fully grown college-age adults - spend their days competing in absurd challenges like: Who can inhale ether and not pass out the longest? For their dedication and achievement, the kids are rewarded with colorful stickers they can apply to the headboards of their beds. T

 

Blog entry 01/25/2011 - 11:57am

Reviewer: Jeffrey M. Anderson
Rating (out of 5): ****½

Guillermo Del Toro has become one of the most interesting of the new auteurs. Over the course of just seven films in 18 years, he has established a definite, fluid, rich visual style and specific pet themes, not to mention a singular fascination and enthusiasm for a certain kind of genre film. He also manages the nearly impossible feat of juxtaposing personal comic book movies (Blade II, Hellboy) in Hollywood and more ambitious works of art (The Devil's Backbone, Pan's Labyrinth) elsewhere.

I had seen his debut feature Cronos some time back, and I liked it, but it did not resonate with me, and I was glad for the chance to see it again now that I have become more familiar with Del Toro's work as a whole, now that the Criterion Collection has released it on a spectacular new DVD.

Blog entry 01/24/2011 - 4:14pm

Reviewer: James Van Maanen
Rating (out of 5): ***½

The reputation the French have for creating romantic comedy non pareil is well-deserved. In the last few years alone, we've had sophisticated charmers from Shall We Kiss to Priceless to Après vous. Now comes yet another, sporting a knock-out premise that is so original that it almost makes it impossible for the movie to live up to its nifty/nasty concept. That it finally does is due as much to the mysterious workings of chemistry between actors (Romain Duris and Vanessa Paradis) and the talent of new director Pascal Chaumeil (pronounced Show-MAY), as to the film's very funny and unusual script. 

I’ll not give away, plot-wise, even that very smart premise -- and, yes, it is tempting to talk about. Instead, be content with knowing that Heartbreaker (L'arnacoeur) involves a dashing and sexy young man (Duris), his nifty sister (Julie Ferrier) and her slightly demented boyfriend (François Damiens), a lovely woman about to be married (Paradis) and her father (Jacques Frantz), who for some reason is not particularly keen on the marriage. Out of this mix, Chaumeil and his script-writing team (Laurent Zeitoun, Jeremy Doner and Yohan Gromb) have spun their sometimes flaky flax into something approaching gold.

Blog entry 01/24/2011 - 11:40am

Reviewer: Jeffrey M. Anderson
Rating (out of 5): ***

Philip Seymour Hoffman is one of our great living actors, and has proven himself over the years in a number of supporting roles, ranging from sweaty and snarky to snaky and charming, to both funny and heartbreaking. Even his lead roles, such as Capote and Before the Devil Knows You're Dead, have managed to use his skills well. He's always pushing and allowing himself to be pushed, looking for fresh angles and daring ideas. Unfortunately, Hoffman does not bring much of this energy to his directorial debut, Jack Goes Boating, which is based upon a 2007 play by Bob Glaudini, but it's worth a watch.

Hoffman stars and recreates his stage role, and perhaps not surprisingly, the result is more character-based than it is flashy or visually astute. It would almost come across as a fairly routine Indie/Sundance-type movie, were it not for the superior acting and subtle characterization.

Blog entry 01/20/2011 - 1:11pm

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