Independent

Interview By David D'Arcy

Paul Verhoeven should not be so misunderstood, since his films are efforts to tell simple truths, usually in the simplest cinematic language. The truths are painfully simple in the case of Black Book, which looks at survival and betrayal in the Dutch resistance to the Germans, as World War II was drawing to a close and the Dutch were preparing to govern themselves once again. The title comes from a black book in which the names of Dutch collaborators with the Nazis are listed. Let's just say that the top priorities as the war ends are not truth and reconciliation.

Black Book is now out on DVD.

Blog entry 09/24/2007 - 8:04pm

By Michelle Devereaux

Celebrated French auteur Francis Veber is nothing if not a gentleman-perhaps even to a fault. The writer and director of films like The Dinner Game, The Closet, and Le Jaguar (he also wrote the screenplay to La Cage Aux Folles) is so amenable, in fact, he'll even let you call him by the wrong name. In an interview the 69-year-old Veber gave to a radio station the same day he talked to GreenCine, a journalist kept calling him "Francois." But Veber didn't correct him once-and even referred to himself in a promo by using the incorrect name...

La doublure (The Valet) is now out on DVD.

Blog entry 09/18/2007 - 9:31am

By Andy Spletzer
January 19, 2007 - 8:21 PM PST

"Back in 2005, when the Seattle Times reported on the 'Enumclaw Horse Sex Incident,' the story spread like wildfire across the Internet and became their most-read story of the year," writes Andy Spletzer, introducing his interview with writer Charles Mudede, who, with director Robinson Devor, is following up their poetic feature Police Beat with one of the most controversial Sundance entries this year, Zoo.

Zoo is now out on DVD.

Page 09/17/2007 - 1:00am

Interviewed By Jonathan Marlow
[At the 2006 Toronto International Film Festival]

Her first short film was selected for International Critics Week at Cannes. She received an Academy Award for her third short. She was awarded the Jury Prize at Cannes for her first feature and later dominated the BAFTAs in Scotland (winning the Best Director, Film, Screenplay, Actress and Actor awards). Such a sequence of achievements is essentially unheard of, admittedly, but Andrea Arnold is not your average filmmaker.

Jonathan Marlow Spoke with Arnold about her films. Her first feature Red Road, is now out on DVD.

Blog entry 09/13/2007 - 9:27pm

"That a film this good - smart, accessible, enjoyable - was passed over for theatrical release shows a stunning lack of judgment on the part of current distributors," James van Maanen wrote recently at Guru. "The Big Bad Swim has appeared (and won awards in the process) at national festivals from Tribecca to Maui, Seattle to Rhode Island and internationally from Munich to Karlovy Vary, Avignon and Zurich, and managed one-week releases in Allentown, Pennsylvania and Portland, Oregon, with individual screenings in Chicago and Fort Lauderdale, where it was lapped up by critics and audiences alike. For the rest of us, thank God for DVD."

 

James talks with director Ishai Setton and screenwriter Daniel Schechter.

Blog entry 08/20/2007 - 1:49pm

Interview By Jeffrey M. Anderson

As all screenwriters eventually must, the talented Scott Frank makes his directorial debut with the dramatic thriller The Lookout. Aside from his talent, Frank has enjoyed a very lucky career, seeing his screenplays for the most part produced by the right people at the right time, resulting in films like Kenneth Branagh's Dead Again (1991), Jodie Foster's Little Man Tate (1991), Barry Sonnenfeld's Get Shorty (1995), Steven Soderbergh's Out of Sight (1998) and Steven Spielberg's Minority Report (2002).

The Lookout is now out on DVD.

Blog entry 08/14/2007 - 5:11pm

David Lynch is still making films the only way he knows how: his way. He made the heady and dreamy three-hour drama Inland Empire, shot totally on digital video (his first feature made in that format), with such Hollywood pros as Laura Dern and Jeremy Irons, yet financed and produced it completely outside of Hollywood.

Inland Empire is now out on DVD, and Sean Axmaker spoke with Lynch about the genesis and interpretations of this unique film, and other things rumbling around in his mind.

Page 08/14/2007 - 1:32pm

Interview By Hannah Eaves

After finding success in the UK by documenting the lives and work of eccentric artists like Gilbert & George and currency vandal J.S.G. Boggs, director Philip Haas jumped the narrative fence with an adaptation of Paul Auster's Music of Chance, the first in what would become a long line of literary adaptations for the screen. With his next film, Angels and Insects, Haas broke through the arthouse market and received Cannes and Academy Award nominations. His latest film, The Situation, starring Connie Nielsen (Gladiator) as an American journalist caught in a Graham Greene-like situation, takes place in Iraq and marks his first collaboration with noted journalist Wendell Stevenson.

Hannah Eaves talks with Haas about working with artists vs. actors, directing scenes in Arabic and about how journalists and soldiers have reacted to The Situation - which is now out on DVD.

Blog entry 07/31/2007 - 12:51pm

By Sean Axmaker
Originally published December 27, 2006
"Most filmmakers that I know, and actually most film critics that I respect, for them, film really has a drug-like dimension." If you find yourself, while watching Perfume, relating to the murderer a little more than you're comfortable dealing with, director Tom Tykwer may have an explanation for you in Sean Axmaker's interview.

Perfume: The Story of a Murderer is now out on DVD.

Page 07/24/2007 - 1:00pm
Blog entry 07/10/2007 - 2:44pm

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