International

Reviewer: Steve Dollar 
Rating (out of 5): *****

Today's news that Dogtooth (perfectly timed with the DVD release) has been nominated for an Academy Award in the best foreign film category is stunning. While it's gratifying to know that one of 2010's most outré critical favorites somehow slipped into what typically is the mushiest of Oscar competitions, it's even more fun to imagine the reactions of more middlebrow Academy voters to this perverse family drama. I expect a whole lot of “what...the...?” reactions.

The second feature from Greek director Giorgos Lanthimosis set in a studiously blank ex-urban home where three children - actually, fully grown college-age adults - spend their days competing in absurd challenges like: Who can inhale ether and not pass out the longest? For their dedication and achievement, the kids are rewarded with colorful stickers they can apply to the headboards of their beds. T

 

Blog entry 01/25/2011 - 11:57am

Reviewer: Jeffrey M. Anderson
Rating (out of 5): ****½

Guillermo Del Toro has become one of the most interesting of the new auteurs. Over the course of just seven films in 18 years, he has established a definite, fluid, rich visual style and specific pet themes, not to mention a singular fascination and enthusiasm for a certain kind of genre film. He also manages the nearly impossible feat of juxtaposing personal comic book movies (Blade II, Hellboy) in Hollywood and more ambitious works of art (The Devil's Backbone, Pan's Labyrinth) elsewhere.

I had seen his debut feature Cronos some time back, and I liked it, but it did not resonate with me, and I was glad for the chance to see it again now that I have become more familiar with Del Toro's work as a whole, now that the Criterion Collection has released it on a spectacular new DVD.

Blog entry 01/24/2011 - 4:14pm

Reviewer: James Van Maanen
Rating (out of 5): ***½

The reputation the French have for creating romantic comedy non pareil is well-deserved. In the last few years alone, we've had sophisticated charmers from Shall We Kiss to Priceless to Après vous. Now comes yet another, sporting a knock-out premise that is so original that it almost makes it impossible for the movie to live up to its nifty/nasty concept. That it finally does is due as much to the mysterious workings of chemistry between actors (Romain Duris and Vanessa Paradis) and the talent of new director Pascal Chaumeil (pronounced Show-MAY), as to the film's very funny and unusual script. 

I’ll not give away, plot-wise, even that very smart premise -- and, yes, it is tempting to talk about. Instead, be content with knowing that Heartbreaker (L'arnacoeur) involves a dashing and sexy young man (Duris), his nifty sister (Julie Ferrier) and her slightly demented boyfriend (François Damiens), a lovely woman about to be married (Paradis) and her father (Jacques Frantz), who for some reason is not particularly keen on the marriage. Out of this mix, Chaumeil and his script-writing team (Laurent Zeitoun, Jeremy Doner and Yohan Gromb) have spun their sometimes flaky flax into something approaching gold.

Blog entry 01/24/2011 - 11:40am

Reviewer: Steve Dollar
Rating (out of 5): ****

Sometimes there's nothing quite as welcome as a movie that provides a headspace so roomy and tranquil you can hear yourself think - not in an intellectual or analytical way, but in a Zen way, establishing a kind of spiritual rapport with a story that goes much deeper than the surface. One of the past year's more unique and heartfelt sleepers, Alamar is so focused and elemental in what it wants to do that, for its slight but meaningful 73 minutes, a viewer can be totally enveloped in its perfect little world.

 

Blog entry 12/31/2010 - 5:12pm

Reviewer: James Van Maanen
Rating (out of 5): ***½

We look to the films of Agnès Jaoui -- The Taste of Others, Look at Me, and now Let It Rain (Parlez-moi de la pluie) -- for a kind of confirmation: the suggestion that life, however harried and bizarre, is full of marvelous little things, moments sad or sweet and often funny that quietly resonate. There are plenty of these moments in the writer/director/actress' new film. The husband in bed at the end of the day, feeling abandoned because his wife is reading; the French-Algerian young man who has decided to make a documentary and now must endure round-after-round of eyebrow-raising from the "French"; there's even a scene of characters getting high on pot that manages, against all odds, to break new ground.

Blog entry 12/27/2010 - 6:16pm

Reviewer: James Van Maanen
Rating (out of 5): ***

Doing away with conventional exposition is a tricky business but Lisandro Alonso gets away with it fairly well in his 2008 film Liverpool, just now making its DVD debut via Kino Home Video. It's one thing to ignore exposition when you have a main character who is relatively open and sociable. When you have an extreme loner, as is the case with Alonso's "hero" Farrel (played by Juan Fernandez, in real life a snowplow operator), this makes connecting with the movie much more difficult. And yet I believe the director/co-writer (with Salvador Roselli) manages even this challenge better than might be expected.

Blog entry 12/16/2010 - 12:46pm

Reviewer: James Van Maanen
Rating (out of 5): ****

The exquisite French film Mademoiselle Chambon has been co-adapted (with Florence Vignon, from the novel by Eric Holder) and directed by Stéphane Brizé, who a few years ago, gave us the quietly entrancing Not Here to Be Loved [sadly not yet on DVD in the US]. Brizé now offers an ever better, though just as quietly entrancing, film -- this time using two of France's best actors at the very top of their form: Vincent Lindon (Friday Night) and Sandrine Kiberlain (Apres Vous). A film with minimal dialog, but never obviously so, it relies on the in-the-moment response of the two actors, who are simply marvelous at expressing their inner selves while appearing to camouflage their feelings.

Blog entry 12/13/2010 - 11:19am

Reviewer: Jeffrey M. Anderson
Rating (out of 5): ***

Two years ago, Matteo Garrone's Gomorrah re-invented the Italian gangster film for the 21st century, and now Marco Amenta's The Sicilian Girl sends it back again. Like many movies based on true stories, it's hamstrung by a need to stay faithful and respectful to the original players, and never completely comes alive.

Ironically, the best scenes are the early ones set in 1984. They ooze a traditional kind of gangster movie, with slick mafia dons in pinstripe suits strolling around the town square, and the loyal peons kissing their rings. There's also more sheer movement here; the rest of the film gets rather stuck. It's in these early scenes that we first meet little Rita (Miriana Faja), who idolizes her father, and who witnesses his violent death.

Blog entry 12/10/2010 - 4:57pm

micmacsposter.jpg

An underground lair serves as the point of inspiration for this "deeply whimsical fantasy comedy (with echoes of Jodorowsky's Rainbow Thief) from French cause célèbre Jean-Pierre Jeunet (Amélie, The City of Lost Children)," set in a post-9/11 Europe. In Micmacs, underdogs battle heartless industrial giants, our gang relive the battle of David and Goliath, with all the imagination and fantasy of Buster Keaton. "At its best, Micmacs is a robust, enjoyably lunatic game," writes Tasha Robinson. "It's social commentary by way of a good Looney Tune." And now you have a chance to win the Micmacs DVD thanks to a giveaway sponsored by GreenCine and Sony Pictures Classics.

Blog entry 12/09/2010 - 10:42am

Reviewer: James van Maanen
Rating (out of 5): ***½

Ah, family -- what a goldmine of fodder for our future creative life! If only we can get through the trying times of growing up. A sentiment that comes to mind as you view the new Belgian film The Misfortunates, the bleak but often quite funny and sometimes very moving look at a hard-scrabble childhood among a family of wastrels.

How life becomes art (and how and why a young boy grows into his older, not-so-happy self) is given wonderful specificity by director/co-writer (with Christophe Dirickx) Felix Van Groeningen, from the novel by Dimitri Verhulst. We can see with surprising clarity not only how art is created (and expanded upon) from life but also how difficult it is to become something other than the child we were. Older? Yes. Different, better? Not so much.

The Misfortunates is set in a low-end town in the Flanders region of the country, which tends, I suspect, toward Belgian's Dutch character rather than its French. The family at hand is pretty much a disaster, though certainly an interesting one. Our hero, the thirteen-year-old Gunther has a father who's a drunk, uncles who each have their self-made cross to bear, and a grandma who can only be called an enabler. The boy, clearly smart, is not doing well own in school, even with the administration trying, against all odds, to take his side.

Blog entry 12/06/2010 - 5:41pm

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