Cult

Blog entry 09/30/2010 - 10:22am

Reviewer: Jeffrey M. Anderson 
Rating (out of 5): ***

The great Japanese director Nagisa Oshima is known for shaking up the quiet, stately Japanese cinema of the 1960s with his stories of youth, social realism, social critique, and even a bit of surrealism. His most notable titles from this period are arguably Boy (1969) and The Ceremony (1971), though none of his early films is well known in the West. Instead, Oshima is best known here for his pair of 1970s erotic arthouse hits, In the Realm of the Senses (1976) and Empire of Passion (1978). Though these movies put Oshima on the world map, many early fans consider them a diversion from Oshima's true talent.

This leads us to Merry Christmas Mr. Lawrence (1983), Oshima's follow-up to Empire of Passion, newly released via Criterion Collection. With the world's attention, he turned to this international production, based on an autobiographical novel by Afrikaner Laurens van der Post, throwing English and Japanese talents into the same ring. It's an odd film, drawing comparisons to The Bridge on the River Kwai due to its setting, but much more intimate in scale. It's relentlessly grim, constantly off-balance, occasionally moving, and often striking. (Oshima co-wrote the screenplay with the former English film critic Paul Mayersberg, who also wrote The Man Who Fell to Earth.)

Blog entry 09/29/2010 - 11:26am

Reviewer: Jeffrey M. Anderson 
Rating (out of 5): ***½

 

If you thought Werner Herzog's Bad Lieutenant: Port of Call New Orleans was an odd duck, just wait until you see this. Produced by David Lynch and directed by Herzog, My Son, My Son, What Have Ye Done plays like an unholy offspring of both maverick outsiders, filled with unsettling, dreamlike moments, but also plenty of dark laughs. It's apparently based on the story of a real-life killer, but the movie is about a disturbed man, Brad McCullum (Michael Shannon), who still lives with his creepy mother (Grace Zabriskie, a veteran of many David Lynch projects).

Blog entry 09/14/2010 - 1:10pm

Reviewer: Jonathan Poritsky
Rating (out of 5):
*****

"What's the experiment?" is a simple question I find myself asking constantly when watching experimental cinema. The term "experimental" has as of late become tainted, misused, even destroyed. Most festivals around the world now feature a section for experimental films, usually shorts, but their definition is cloudy at best, and when it comes down to it, they are generally populated with films that simply won't fit anywhere else. Which is why we have a responsibility to constantly, vigorously demand an answer to the simple question: "What's the experiment?" With the films of Stan Brakhage, you never have to ask, but that doesn't mean the answer is any clearer.

After a modicum of success with the comprehensive, albeit disjointed, two disc set of Brakhage's works in 2003, Criterion is back with a second helping of the avant-garde pioneer's films with By Brakhage: An Anthology, Volume 2. The set is not only a brilliantly curated look at the career of a prolific filmmaker, but it is also a major milestone for the Criterion Collection itself. It is almost inherent in the nature of experimental cinema that it not be released on home video. More often than not, the experiment is finite, contained within a movie house or screening room, a public space or gallery. That is why Criterion's first crack at this, By Brakhage Vol. 1, felt more jarring, more a random assortment of his films, where the new set is carefully prepared, divided into 90 minute sessions. The coherency was probably aided by the team behind this set, which includes Brakhage's wife, Marilyn, as well as film historian Fred Camper.

Blog entry 07/15/2010 - 10:54am

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