Classics/Reissues

Reviewer: Jeffrey M. Anderson
Rating (out of 5): ****½

Louis Feuillade worked at the great French movie studio Gaumont, making dozens upon dozens of films, of all different stripes. He made comedies, historical films, "realist" films, and even a series of films with child stars, such as "Bout de Zan." But out of his 700 or so films, his reputation rests mainly on his lengthy crime serials, including Les Vampires (1915), Judex (1916), Tih Minh (1918), and beginning with the five-and-a-half hour Fantômas (1913). These remarkable films were among the first to employ location shooting, and to use a sustained, intertwining plot that lasted for more than a couple of reels. They also perfected the use of the cliffhanger and the maintaining of suspense; D.W. Griffith had learned how to create thrills with his cross-cutting, but Feuillade slowed this down and stretched it out for a richer and deeper experience. His techniques would later be passed on to Fritz Lang, Alfred Hitchcock, and many other auteurs.

Blog entry 10/06/2010 - 11:30am
Blog entry 09/30/2010 - 10:22am

Tony Curtis, who sadly just passed away, and Burt Lancaster, offered what may have been their very finest performances in Sweet Smell of Success. Click on for a trailer.Click on for a trailer.

 

Blog entry 09/30/2010 - 10:05am

Originally appeared on GreenCine Daily for release of the AK100 set. They are now being issued as part of Criterion's The First Films of Akira Kurosawa set.

1. The Most Beautiful

By Andrew Grant


The Most Beautiful

Likely the rarest and least-seen title in the AK 100 box set, The Most Beautiful (1944) is Kurosawa's second directorial effort, made one year after his successful debut, the Judo-themed Sanshiro Sugata. A bit of a sophomore slump, this overt bit of war propaganda is hard to praise from both an aesthetic and narrative perspective, but it's not without its merits.

Blog entry 07/29/2010 - 11:10am
Page 03/16/2007 - 2:16pm

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