By Jonathan Marlow

Rob Nilsson is the first American director to win both the Camera d'Or at Cannes and the Grand Jury Prize at Sundance. On the occasion of the world premiere of his newest film, Security, in the GreenCine Online Film Festival, Jonathan Marlow talks to him about his fiercely independent career, spanning nearly thirty years.

By Craig Phillips

Todd Solondz, the master of misery, misanthropy and discomfort, is back with a new film as sure to provoke as any of his previous works: Palindromes. GreenCine's Craig Phillips caught up with the man critic David Thomson called "an exemplary figure in a group of 'nasty' filmmakers," to talk about the pains of production, all the Avivas in Palindromes, whether or not to laugh, and, yes, the "A" word.

By Hannah Eaves

Jonathan Rosenbaum has called Hal Hartley's The Girl From Monday (screening this weekend at the Roxie Cinema in San Francisco) as "flaky, funny and sexy," but it's also rather dense and quite different from his earlier work. Hannah Eaves and Jonathan Marlow talk to Hartley about the evolution of his work and his latest project, Possible Films.

By Jonathan Marlow

Appearing in over 125 films since he began acting a child (not to mention countless television performances), Dean Stockwell has had one of the most wide-ranging careers in Hollywood and indie film. Jonathan Marlow talks him through it, all the way to his latest passion, art.