An Oscar-nominee for best feature documentary, "GasLand may become to the dangers of natural gas drilling what Silent Spring was to DDT" (Robert Koehler, Variety). It is "the paragon of first person activist filmmaking done right," writes Erick Kohn. From Village Voice: "With its jolting images of flammable tap water and chemically burned pets, New York theater-director-turned-documentarian Josh Fox's Sundance-feted shocker makes an irrefutable case against U.S. corporate 'fracking.'"

"It can, and should, be argued that you can make a bad movie out of a good script but you cannot make a good movie out of a bad script. If the screenplay has such impact on the resulting film, why does the preponderance of credit go to the director of the picture while the writer gets mentioned as an afterthought, if at all?" 

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