|
movie title |
related list |
average rating |
MPAA rating |
watch |
rent |
buy |
|
Queen Kelly (1929)
|
|
|
Not Rated
|
|
|
|
| Fun, faithful and garish naturalism: what would Stroheim be doing today...? |
|
Goodbye South, Goodbye (1996)
|
|
|
Not Rated
|
|
|
|
| Hou's "Mean Streets": longer and comfortably quotidian: every real moment |
|
The Puppetmaster (1993)
|
|
|
Not Rated
|
|
|
|
| Better Hou primer. More varied and compelling: the "Real" and the Ultrareal |
|
Blue Velvet (1986)
|
|
|
|
|
|
|
| How can you exclude David Lynch? Weird doesn't startle this naturalist |
|
The Blue Angel (German Version) (1930)
|
|
|
|
|
|
|
| Mundane yet wonderfully stylized, Janning's subtly expressionistic and Deitrich's deadpan are perfect naturalism, cast in fine detail by von Sternberg |
|
Pulp Fiction (1994)
|
|
|
|
|
|
|
| Why I prefer naturalism as a style. "QT"s infamous "Cheesburger Royale" take on realistic dialogue first order crap. Besides creative (yet not innovative) structuring, mostly an unfunny bore. |
|
The Passion of Joan of Arc (Criterion Collection) (1928)
|
|
|
Not Rated
|
|
|
|
| Carl Dreyer's pairing of a nearly scientific realism in acting style set against his naturalistic/impressionistic settings and directorial handling is absolutely stunning |
|
Vampyr (1931)
|
|
|
Not Rated
|
|
|
|
| Supreme example of how realistic acting excels in otherwordly circumstances; another by Dreyer, supreme naturalist. |