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Eve's Bayou (1997)
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| Kasi Lemmon's demonstrates how illusory the senses are by showing certain events from different first hand accounts revealing just how subjective these accounts can be. |
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Waking the Dead (2000)
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| When Billy Crudup's character thinks he keeps sighting his long-dead fiance. He struggles to determine whether he's been deceived by his eyes or his fiance. |
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Jacob's Ladder (1990)
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| Tim Robbin's character is haunted by very literal demons. When a rational explanation for his visions is revealed, the supernatural explanation becomes preferable. |
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Living Out Loud (1998)
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| In several effective scenes in this movie, we see things through Holly Hunter's id, that part of her consciousness that keeps a running commentary on the events happening around her - trying to will a cohesive narrative on a stubborn reality. |
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In the Mood for Love (Criterion Collection) (2000)
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| This movie only has one scene that exemplifies this concept, but it's a pivotal one; the who-hit-on-who-first scene. |
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The Pledge (2001)
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| Honestly, I didn't like this movie much. I can't go into details without revealing spoilers, but the ending subverts a potentially powerful point about how perception is distorted by obsession. |