GreenCine Says: Charles Aznavour is a dead-ringer for director François Truffaut in the latter's enthralling classic crime/romance Shoot the Piano Player. "Quiet, romantic, personal and audacious," wrote Craig Phillips in his French New Wave primer, "people weren't sure what to make of it at the time, but its cinematic literacy and cheekiness would inspire future filmmakers" - from Atom Egoyan to Quentin Tarantino. But Truffaut was the master at playing with filmic conventions while at the same time giving the world unforgettable people with a humanistic eye. The beautifully restored two-disc set also features surprisingly lively audio commentary and, on disc two, a series of fascinating interviews.