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Luigi Lo Cascio,
Luigi Lo Cascio,
Alessio Boni,
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Marco Tullio Giordana,
Marco Tullio Giordana
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: Miramax
: Foreign, Italy
: French, Italian
: English, Spanish
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Directed by Marco Tullio Giordana and La Meglio Gioventu, this film chronicles the youth, emotional development, and milestone events in the lives of brothers Nicola (Luigi Lo Cascio and Matteo Carti (Alessio Boni) between 1966 and the early 2000s. Despite being polar opposites -- Nicola is a free spirited, romantic psychiatrist; Matteo is an angst-ridden idealist and member of the Italian police force -- the brothers stay connected through the nature of life, family, and time, even during their long periods of separation from one another. ~ Tracie Cooper, All Movie Guide
GreenCine Staff Pick: I watched The Best of Youth (on DVD) much in the same way as Italians did when it first premiered on Italian TV - over the course of four nights; like a great novel, you don't want to leave the characters, this world, but may want to savor it, to leave a little more for the next night. It's a rare feeling, surpassed by very few other films or series in recent memory. And yet, you can very easily lose track of time passing while watching it, so transcendent is the flow of it all. The length of the film is one of its strengths, as it has the time to develop its many characters richly. Ultimately, it's one of the most beautiful and truly moving experiences I've ever had watching a film.
The trajectory of each of the main characters as they make their way through their adult lives is so psychologically astute that you will constantly forget they are fictional, so caught up will you be in their world, emotions and growth. One of the many magnificent achievements of The Best of Youth is how economical it is, even over the course of its epic six hour length - each scene is carefully chosen, each moment a part of the greater picture, each a revelation of character. The story also interlaces with Italian political history over the past few decades, student uprisings, political unrest, assasinations, corruption and - most distressingly - abuse within mental health care facilities. (The story of the young woman, Giorgia, whom Matteo and Nicola encounter after she's been in electric shock therapy and deeply scarred, is particularly touching.)
It also manages to sidestep the trap that often fells other films that try to cover the course of many years in characters' lives - using the same actors playing themselves both young and as they age, but miraculously, here their aging rarely feels contrived. They look natural, and more importantly, their psychological development is perfectly realized. As Nicola, Luigi Lo Cascio is startlingly good, natural, never appears to be acting. He carries the weight of this film and the plot - which occcasionally veers dangerously close to melodrama but never stops feeling real - on his shoulders, playing a passive character who reflects just enough change, especially by the astoundingly moving conclusion. (Lo Cascio is also in the new film La Bestia nel cuore - a.k.a., Don't Tell, along with his Best of Youth co-star Alessio Boni.)
Other random thoughts: I don't think I'll ever forget Maya Sansa's (Mirella) luminous smile; the film serves as an incredible travelogue for the Italian country, giving you a three-dimensional feel for each place (not to mention Norway, which also figures prominently in the film); the music score is lovely, even if a couple of the pieces are a little repetitive (how could they not be given the length of the film) - but the score always adds to a scene, doesn't detract. By the end, as a character says, ultimately, "everything is beautiful." Check all cynicism at the door and you will be transported. -- Craig Phillips
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| "The Best" of Everything
by talltale
February 12, 2006 - 4:44 PM PST
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7 out of 8 members found this review helpful
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OK: Maybe this Italian family epic spanning forty years IS soap opera of sorts. But THE BEST OF YOUTH--directed with unsurpassed beauty, humanity and occasional brilliance by Marco Tullio Giordana ("I Cento Passi")--is so far above any other epic soaps I can recall, including our own "Gone With the Wind" and "Doctor Zhivago" that it belongs on the Don't-Miss list of any purported movie lover.
Clocking in at just over six hours, it's lengthy, but I wouldn't have forgone a single minute. Made for Italian television, which (under the Berlusconi hand, I suspect) refused to air it, the footage was taken to Cannes, where it won a top prize, thus embarrassing Italian TV into finally showing it). Given a cursory release here in the U.S., it nonetheless ended up on a number of 10-Best Lists (A. O. Scott of The NY Times chose it as the best of the year). Now it's found perhaps its real home on DVD, where it can be viewed in one-, two- or three-hour segments. (When you come back to it, start at the beginning, then click forward segment by segment. This will quickly bring some of the richness of each past event to mind, thus readying you to proceed.)
Beginning in the 60s with the mundane task of family members having to transport a TV set, the film quickly captures your attention and never lets go, through growth, love, aging, death (timely and not), losing, winning, and new generations. Coincidences happen, but not beyond the frequency with which they occur in our lives. Italian history happens, too--political, economic, social--and it's mirrored within and without the characters. The history is different, but not all THAT different, from the history of other European countries or America, and this adds to the intelligence and enjoyment the movie brings.
No film I have seen in years has made me feel so deeply, strongly and consistently for its characters--all of whom are now indelibly fixed in my mind. While this is due, of course, to the length involved, it is even more because of the talent and love of country and humanity on display from everyone in front of, and behind, the camera. "Bravo" is just too puny a word to express my gratitude. |
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