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The Left-Handed Gun (1958)
The Left Handed Gun was adapted by Gore Vidal from his own TV play, The Death of Billy the Kid. 33-year-old Paul Newman stars as 21-year-old William Bonney, the hotheaded gunslinger known as Billy the Kid. Avoiding the usual Hollywood glamourization of this controversial character, Newman portays Bonney pretty much as he was: an illiterate, homicidal cretin. Treated with kindness for the first time in his life by rancher Tunstall (Colin Keith-Johnston), Bonney becomes devoted to the rancher; in fact, it is virtually a love affair. Soon after, however, Tunstall is killed, prompting Bonney to go on a murderous spree. In the end, Bonney must face down the other important father-figure in his life, Pat Garrett (John Dehner). In case anyone should miss the Freudian subtext in The Left Handed Gun, the closeups of Bonney fondling his six-shooter will make things crystal clear. ~ Hal Erickson, All Movie Guide

The Mackintosh Man (1973)
John Huston directed this cold war spy thriller (from a script by Walter Hill) concerning a British agent trying infiltrate the organization of a nefarious communist spy. Paul Newman is Joseph Reardon, a British secret agent commissioned by Mackintosh (Harry Andrews) to impersonate a jewel thief. When the police are tipped off about his diamond robbery, Reardon is arrested and shipped off to a high-security prison. At the prison, he meets convicted Russian spy Soames-Trevelyan (Nigel Patrick) and the two are involved in a prison break, arranged by a mysterious group called the Scarperers. After the successful breakout, Reardon finds himself drugged and sent to Ireland. It turns out that the escapade was organized by Mackintosh in the hopes Reardon could infiltrate the Scarperers and gather information on the group's leader, Sir George Wheeler (James Mason), and prove him to be a Russian spy. ~ Paul Brenner, All Movie Guide

Pocket Money (1972)
Two modern day cowboys smuggle a herd of cows across the border in this loosely amiable comedy. Jim Kane (Paul Newman) is a cowboy who unexpectedly finds himself deep in debt and in need of some fast cash. A less-than-scrupulous businessman approaches Kane and offers him a handsome payday to escort 200 head of cattle from Mexico into the United States for use of the rodeo circuit. While the deal seems dubious, Kane goes along with it, and persuades his friend Leonard (Lee Marvin) to tag along. However, the cattle drive proves to be more of a challenge than the men expected, with a number of less-than-welcome adventures following the cattlemen along the way. Pocket Money also features Strother Martin, Hector Elizondo and Wayne Rogers; keep an eye peeled for a cameo appearance by Terrence Malick, who wrote the film's screenplay years before directing the acclaimed Badlands and Days of Heaven. ~ Mark Deming, All Movie Guide

Somebody Up There Likes Me (1956)
Once you get past the fact that handsome Paul Newman could never pass for plug-ugly boxer Rocky Graziano in real life, you will be able to accept Somebody Up Their Likes Me as one of the more accomplished movie biopics of the 1950s. Based on Graziano's autobiography (co-written with Rowland Barber), the film accurately depicts the teen-aged Rocky as an unregenerate punk, evidently doomed by his slum environment, and his own lousy attitude, to a life of petty crime. Determining that the only way he'll make a living is with his fists, Rocky becomes a boxer, at first willing to participate in a series of fixed fights. Eventually, Rocky develops a conscience and sense of self-respect, no small thanks to his sweetheart (and later wife) Norma (Pier Angeli). The film ends on an optimistic note after Rocky wins a "clean" bout with Tony Zale (playing himself). Training extensively with Graziano prior to and during production, Newman is quite impressive in his first worthwhile film role (this was only his third film, following the execrable The Silver Chalice and the forgettable outing The Rack). The title song in Somebody Up There Likes Me was written by Bronislau Kaper and Sammy Cahn, and performed by Perry Como. ~ Hal Erickson, All Movie Guide

The Young Philadelphians (1959)
Something of an urbanized, upscale version of Peyton Place, Vincent Sherman's
The Young Philadelphians is a glossy adaptation of Richard Powell's bestselling novel
The Philadelphians that revels in melodrama. The film opens strongly, with a lengthy 1924 prologue. Socialite Kate Lawrence (Diane Brewster) jilts impoverished lover Mike Flannagan (Brian Keith) in favor of wealthy William Lawrence (Adam West). On their wedding night, William drunkenly announces that he's impotent and commits suicide (this scene should fascinate Batman fans). Returning to Mike, Kate has a child by him, Tony. The boy grows up amid an atmosphere of dire poverty, which imparts him with a relentless drive for success. Flash forward to 1952: the out-of-wedlock kid, Tony, has grown up (now played by Paul Newman) and still doesn't know that he was an illegitimate child. Tony attends Princeton Law School, and falls in love with rich girl Joan Dickinson (Barbara Rush). Via the doings of Joan's father, wealthy Gilbert Dickinson (John Williams), Tony ends up taking a cushy job in a law office, at the expense of the relationship. The heartbroken Joan marries Carter Henley (Fred Eisley) on the rebound, who is conveniently killed in Korea. Tony then begins spending a prodigious amount of time with Carol Wharton (Alexis Smith), wife of attorney John Wharton (Otto Kruger), so that she will persuade John to find Tony a better job. Soon it's Tony's turn to fight in Korea; when he returns, the opportunity arises for Tony to redeem himself for his past misdeeds. Watch for Richard "Mel Cooley" Deacon in a bit as a hostile witness. ~ Hal Erickson, All Movie Guide