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: Warner Home Video
: Classics, Musicals
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Classic Musicals Collection, Vol. 3: Born to Dance (1936)
A never-completed stage musical was the source for the MGM superproduction Born to Dance. The plot is another three-sailors-on-leave affair, with Ted (James Stewart), Mush (Buddy Ebsen) and Gunny (Sid Silvers, who also co-wrote the script) romancing the eminently romanceable Nora (Eleanor Powell), Peppy (Frances Langford) and Jenny (Una Merkel). Nora aspires to become a dancing star, but her career nearly ends before it begins when she inadvertently comes between Broadway luminary Lucy James (Virginia Bruce) and her producer-lover McKay (Alan Dinehart). If anyone watching back in 1936 really cared about the plot, they probably weren't music lovers. The lovely Cole Porter score (his first written directly for the screen) includes "I've Got You Under My Skin", sung by Virginia Bruce to James Stewart, and "Easy to Love", warbled by Stewart to Eleanor Powell. Highlights include Reginald Gardiner's impersonation of a symphony-conducting traffic cop (a routine he'd previously performed on stage) and Eleanor Powell's climactic tap routine on board an art-deco battleship (a sequence later re-deployed for the climax of 1944's I Dood It). ~ Hal Erickson, All Movie Guide
Classic Musicals Collection, Vol. 3: Broadway Melody of 1936 (1935)
The Broadway Melody of 1936 was designed as the first of many annual follow-ups to "MGM"'s early-talkie triumph Broadway Melody (1929). Jack Benny is atypically cast as a Walter Winchell type who carries on a feud with Broadway producer Robert Taylor. Into this fray comes Taylor's childhood sweetheart Eleanor Powell, who wants to play a role in Taylor's upcoming production. Already under fire from Benny for exhibiting favoritism, Taylor says no. Powell gets into the show anyway, disguising herself as a celebrated Parisian stage star. The film's song highlights (one of them sung by Robert Taylor!) include "I've Got a Feeling You're Fooling", "Broadway Rhythm", and a holdover from the original Broadway Melody, "You Are My Lucky Star." Spotlighted in several numbers is the song 'n' dance team of Buddy and Vilma Ebsen.
Classic Musicals Collection, Vol. 3: Broadway Melody of 1938 (1937)
This third entry in MGM's "Broadway Melody" series may not have been the biggest or best, but thanks to a masterpiece of casting it is one of the most memorable of the batch. Signed by MGM in 1935, 15-year-old Judy Garland made her first feature-film appearance under the aegis of Leo the Lion, immediately capturing the hearts of moviegoers everywhere by singing "You Made Me Love You" to a photograph of Clark Gable (a sequence that has since been excerpted countless times in TV and movie documentaries). She later shares a song-and-dance number with gangly Buddy Ebsen, making an impressive entrance in a white midget car (Ebsen would later be cast as the Tin Man in Judy's The Wizard of Oz, only to be replaced by Jack Haley when he fell ill during shooting). The presence of Garland, coupled with several superlative dance solos by Eleanor Powell and a spectacular musical finale, tends to make one forget about the plot, which has something to do with a racehorse owned by heroine Sally Lee (Powell). The horse wins the Grand Steeplechase, the prize money is poured into the stage production previously bankrolled by Steve Raleigh (Robert Taylor), and the Show Goes On. Movies fans of the 1930s with long memories were gratified to see such old vaudeville favorites as Sophie Tucker and Willie Howard in the cast, even if their material wasn't quite up to standard. Interestingly, one of the best comic turns is performed by "professional sneezer" Robert Wildhack -- leaving another famed movie sneezer, Billy Gilbert, with virtually nothing to do! On the other hand, Robert Benchley is his usual droll self, managing to score a comic bullseye despite all the lavish and noisy competition around him. Broadway Melody of 1938 was followed by a 1940 sequel, distinguished by the "challenge dance" between returnee Eleanor Powell and Fred Astaire.
Classic Musicals Collection, Vol. 3: Deep in my Heart (1954)
Deep in My Heart is the MGM-ified biography of composer Sigmund Romberg, here played by José Ferrer. Evidently the scripters didn't feel that the life of Romberg (as set down by author Elliott Arnold, whose book was used as the film's basis) had enough drama to fill out two hours and ten minutes. As a result, the film is overstocked with guest stars, performing such Romberg standards as "One Alone," "Lover Come Back to Me," "When I Grow Too Old to Dream," "Will You Remember," and "Stout-Hearted Men." Among these celebrities are Ann Miller, Vic Damone, Jane Powell, Tony Martin, Cyd Charisse, Rosemary Clooney, and Gene Kelly, the latter performing a dance duet with his seldom-seen brother, Fred. For all the heady competition, it is José Ferrer who renders the most memorable production number: a one-man presentation of the Romberg musical comedy Jazzboat, in which Ferrer assumes all the roles, from star Al Jolson's to the entire female chorus!
Classic Musicals Collection, Vol. 3: Hit the Deck (1955)
Hit the Deck is the second film version of the same-named 1927 hit Broadway musical. Though updated for the 1950s, the basic plot remains the same. Sailors Tony Martin, Vic Damone and Russ Tamblyn spend their entire shore leave in pursuit of three beautiful gals. Martin is "that way" about Ann Miller, Damone is stuck on Jane Powell, and Russ Tamblyn only has eyes for Debbie Reynolds. Some fun is extracted from the fact that Tamblyn is the son of by-the-book admiral Walter Pidgeon. Additional comedy relief is provided by Alan King (the same!) and Henry Slate as a pair of dumb-dumb shore patrolmen. The Vincent Youmans-Leo Robin-Clifford Grey-Irving Caesar score includes such standards as "Sometimes I'm Happy", "I Know that You Know", and the showstopping "Hallelujah". The 1930 version of Hit the Deck, starring Jack Oakie, was filmed by RKO; that version was purchased by MGM and hasn't been seen publicly in nearly 70 years.
Classic Musicals Collection, Vol. 3: Kismet (1955)
This fourth film version of the warhorse Edward Knoblock theatrical piece Kismet was based on the Broadway musical version of the same property. Howard Keel stars as Hadji, the poet of old Baghdad, who goes from beggar to millionaire in a single day. Hadji's daughter Marsinah (Ann Blyth) falls in love with the young Caliph (Vic Damone), while Lalume (Dolores Gray), the sexy wife of the despotic Wazir (Sebastian Cabot), sets her sights on Hadji. Meanwhile, the Wazir plots and plans to topple the Caliph from the throne and to add Marsinah to his own harem. Making periodic appearances is Omar Khayyam, played as a doddering old meddler by Monty Woolley. The Robert Wright-George Forrest musical score, based on themes by Borodin, includes such standards as "Baubles, Bangles and Beads", "This is My Beloved", "Stranger in Paradise" and "Not Since Ninevah". Though the dancing girls in the film are more modestly dressed than their stage counterparts, they are put through some fairly sensuous paces by choreographer Jack Cole. Kismet was good for another go-round in 1967, when it was adapted for television with Jose Ferrer, Barbara Eden, Anna Maria Alberghetti, George Chakiris and Hans Conried in the cast.
Classic Musicals Collection, Vol. 3: Lady Be Good (1941)
The 1924 George Gershwin stage hit Lady Be Good was brought to the screen by MGM; any resemblance (beyond the Gershwin score) to the original play is purely accidental. The MGM scriveners came up with a new story concerning married songwriters Ann Sothern and Robert Young, who can't live with each other and can't live without each other. Top billing goes to dancing star Eleanor Powell, who certainly deserves it. Red Skelton is around and about as well, inserting a few much-needed laughs. While such Gershwin songs as "So Am I", "Fascinating Rhythm" and "Hang on Me" are well showcased, the hit of the evening is a new song by Jerome Kern and Oscar Hammerstein II, the Oscar-winning "The Last Time I Saw Paris". Our favorite scene: Ann Sothern and Robert Young composing "Lady be Good" out of thin air in two minutes flat!
Classic Musicals Collection, Vol. 3: Nancy Goes to Rio (1950)
Ann Sothern closed out her MGM contract with the Technicolor musical Nancy Goes to Rio. As Frances Elliot, Sothern is billed second to Jane Powell, who plays Nancy Barklay. A popular Broadway star, Frances heads to Rio for R&R before starting her next production. Meanwhile, unbeknownst to Frances, her daughter Nancy is hired to appear in her mother's starring vehicle. This would seem to be enough to sustain a plot, but the screenwriters contrive to have Frances mistakenly believe that Nancy is about to become an out-of-wedlock mother. In addition, both ladies vie for the romantic attentions of leading man Paul Berten (Barry Sullivan). Also appearing is Carmen Miranda, just to remind us that the film takes place in Brazil. Producer Joe Pasternak handles the material with the same tastefulness that he'd applied to his Deanna Durbin pictures at Universal: in fact, Nancy Goes to Rio is a remake of Durbin's 1940 vehicle It's a Date.
Classic Musicals Collection, Vol. 3: Two Weeks With Love (1950)
Two Weeks With Love is set in a Catskills resort in the early 1900s. Seventeen-year-old vacationer Patti Robinson (Jane Powell) feels that she's a bit too strait-laced to attract the male contingent, and dreams of being a "woman of the world." Naturally, the principal object of her affections, dashing Demi Armendez (Ricardo Montalban), prefers an old-fashioned girl, but Patti doesn't find that out until the last reel. The supporting cast is well served, especially Louis Calhern and Ann Harding as Patti's long-suffering parents and Phyllis Kirk as a bitchy coquette. Stealing the film from their "elders" are relative newcomers Debbie Reynolds and Carleton Carpenter, who get to perform the delightful "Abba-Dabba Honeymoon."
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| Classic Musicals Collection, Vol. 3: Born to Dance (1936) |
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| Classic Musicals Collection, Vol. 3: Broadway Melody of 1936 (1935) |
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| Classic Musicals Collection, Vol. 3: Broadway Melody of 1938 (1937) |
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| Classic Musicals Collection, Vol. 3: Deep in my Heart (1954) |
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| Classic Musicals Collection, Vol. 3: Hit the Deck (1955) |
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| Classic Musicals Collection, Vol. 3: Kismet (1955) |
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| Classic Musicals Collection, Vol. 3: Lady Be Good (1941) |
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| Classic Musicals Collection, Vol. 3: Nancy Goes to Rio (1950) |
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| Classic Musicals Collection, Vol. 3: Two Weeks With Love (1950) |
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