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Michael Russo,
Michael Russo,
Robert De Niro,
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Martin Scorsese,
Martin Scorsese
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: Warner Home Video
: Classic Crime, Crime, Classic Crime, Gangsters
: 146 min.
: English, French
: English, Spanish, French
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Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the "wise guys" in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie's lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a "made guy," an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work. ~ Jeremy Beday, All Movie Guide
Special Features:
- Cast and Crew commentary with Director Martin Scorsese, Ray Liotta, Lorraine Bracco, Paul Sorvino, Frank Vincent, Co-screenwriter Nicholas Pileggi, Producers Irwin Winkler and Barbara De Fina, Cinematographer Michael Ballhaus and Editor Thelma Schoonmaker
- Cop and Crook commentary with Henry Hill and former FBI Agent Edward McDonald
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| Best sequence of all time?
by dwhudson
April 2, 2002 - 3:08 AM PST
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7 out of 8 members found this review helpful
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| Fairly late into the film, Liotta's character starts narrating the story of the day -- just an afternoon, really -- he got nabbed. Coked up and sweating, he's got dinner on the stove, a delivery to make, the kids are crowding his ankles and he thinks the helicopters are following him. Definitely one of my favorite sequences in any movie ever. You can adjust the circumstances (and the state of mind), but thisis what it feels like to be an adult. You're just doing your damnedest, is all. Juggling your responsibilities, struggling to keep them all afloat and hoping like hell you won't be found out for the fraud you really are. Truly brilliant. And, yes, of course, the rest of the movie is excellent. This is Martin Scorsese, after all, and one of his best. He's on his home turf; what's not to like? First smart move: Pesci's character suddenly lashing out in the very first scene, jabbing the poor lost soul in the trunk of the car. This is a newsflash to the audience: We won't be holding back here, folks. If this sort of thing makes you queasy, walk out/turn off now, because anything can happen from here on in. That knowledge -- anything can happen, we won't be pulling punches, these people are ruthless -- serves the horror genre well and gives this gangster flick its first jolt of adrenalin: for the next two and a half hours, anyone anywhere on the screen might lash out like that again. |
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GreenCine Member Rating
(Average 8.12) 684 Votes
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